First watched in: 2014
I’ve heard Dollhouse
described as the black sheep of the Whedonverse, and I can see why. For someone
who’s had experience with Firefly or
the Buffyverse, Dollhouse is
something very different. I still enjoyed it, and like with anything else, I
get more out of every runthrough. For new watchers, I would recommend to watch
the show as close together as possible, especially in the second season. There
are many details and nuances to the world that can get lost if you spend too
much time between episodes.
Dollhouse is a
Joss Whedon original that ran from 2009 to 2010 and starred Eliza Dushku, of Buffy fame. It gives the audience a look
into a Dollhouse, which are places where people, called Dolls, can volunteer to
have their personalities and memories removed for five years and instead get
rewritten with different personalities and skills depending on the demands of
the extremely wealthy clients, becoming "actives". That’s the point of contention; in a way, it
shows human slavery. These volunteers (well, sometimes “volunteers”) have no
free will. The argument is whether or not the personality and the body are two
separate things, and the show gets a little into the morals of it all but was
cancelled before much of the lore could fully develop. It’s a different kind of
show, that’s for sure.
In retrospect, I saw this show as a bit of an actor’s
vehicle. Over the course of the show, the people who played the Dolls had many
different personalities, which included accents, tics, likes and dislikes,
talents, and mannerisms. There was an instance where one of the scientists put
his personality into a Doll so he could have an assistant he trusted. The actor
who played the Doll was phenomenal, getting everything from vocal inflections
to hand gestures spot on, so much that you really didn’t notice it wasn’t the
scientist. Yes, the purpose of being an actor is to play all these different
people, but having to change so quickly and give their characters full
backgrounds and personalities, sometimes several in the course of an episode,
is talent. There’s no other word for it. Some actors discover different layers
to their characters over years of playing the same person. That’s not the case here.
There’s only 26 episodes.
Fans of other Whedonverse shows will appreciate actors such
as Eliza Dushku, Amy Acker, Alexis Denisof, Alan Tudyk, and Summer Glau. It’s always a treat to
see familiar actors in different roles.
Dollhouse, despite
its controversial themes, really lays out an enjoyable story that makes the
viewer think as well as entertained.
Would I watch again? Yes, but probably not for a while
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